Hannah Hoch and the Dada Art Movement Essay Example | Topics and Well Written Essays - 1250 words

Hannah Hoch and the Dada invention Movement - Essay ExampleThe creation of collages was not long in following and became a headstone of the Dadaist fecal matter, particularly as it evolved into the concept of photomontage. Artists during this period struggled against the concept that art created spiritual values and frequently utilise the products of their creative spirit to protest against the First World War. Beginning in France in rough 1916, the vogues progress and development can be seen in context with the Great War, which started in 1914 and was waged for iv years. While this artistic movement didnt start until two years later on the war began, about when the populace, artists among them, was beginning to feel the pressure of constant warlike states, it also persisted for a few years after it ended as the populace, again with artists among them, became reconciled to the new world order thus established. The development of this movement is most frequently associated wit h artists such as Raoul Hausmann, Kurt Schwitters and Marcel Duchamp, among other male artists, but less soundly known is the equally contributive Hannah Hoch. This investigation into the Dada Movement will, therefore, focus upon Hochs contributions to the movement and her artistry as representative of it.The foundation of the Dada Movement is actually attributed to artists in Zurich, Switzerland and in New York, America. It is exposit in the Merriam-Websters Encyclopedia of Literature as a nihilistic movement in the liberal arts that was based on the principles of deliberate irrationality, anarchy, and cynicism and the rejection of laws of beauty and social organization (cited in Buell, 1998). The name of the movement was arrived at with the same lack of reverence as the movement itself, reportedly arrived at by chance and contain because of its childlike associations. One of its chief goals was to undermine the rational and civilized standards then in place in the art world b y exploring the icons of the old world, placing them in new contexts so as to expose a lack of inherent meaning in the work.